![]() Lefebvre, by contrast, is “very much an administrator and accountant: the right person to weather the next few waves” of the pandemic, says Leroux. Patrick Leroux, a professor at Montreal’s Concordia University and a specialist in circus culture, pays tribute to Lamarre, a former television executive, who led that transition and Cirque’s pre-pandemic growth with a blend of risk appetite and artistic flair. Some see the changes as symptomatic of a wider shift that started in 2015 when another buyout group, TPG Capital, gained control of Cirque from its creative driving force Guy Laliberté. Article content Artists perform during the press photocall for the show “LUZIA” of Cirque du Soleil at the Royal Albert Hall on January 11, 2022, in London, England. This advertisement has not loaded yet, but your article continues below. Interviewed again before Christmas, Lamarre was still uncertain whether new measures would be imposed on English theatres, potentially threatening the return of Cirque du Soleil to London soon, with its Mexican-inspired show. Lamarre made those comments two days before the World Health Organization named the highly transmissible Omicron variant in November. Photo by John Mahoney/Montreal Gazette filesīut coronavirus is still a threat. ” Daniel Lamarre, centre, joins Cirque du Soleil’s cast and creative team members onstage for a photo following a preview of the revival of their classic show Alegria in Montreal, in 2019. ![]() Not only the momentum of the public buying tickets, but the momentum of saying we want to be associated with Cirque du Soleil. Lamarre said: “I don’t have to rebuild the momentum. Touring productions are springing back to life. Two Vegas shows, Mystère and O, reopened in June 2021. Lamarre and his team have already confounded that forecast.
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